I’m assuming it will, but it’s been interesting to say the least. I’m very hopeful that will still be the case.
Rise of the planet of the apes hulu series#
But we’re still very much in that place of hoping that after this is all over, when we’ve streamed our 100th series over again, we’re ready to go out and be in that communal experience of sitting in a dark theater, watching some incredible and extravagant movie. Now there might be some time before that happens and we’re able to do that again. In our case, make cool stuff that wants to be seen on the biggest screen possible. So it’s all kind of the same people and we’re all trying to do the same thing, which is make cool stuff. I knew everyone there and that’s all shaken up now.īut the good thing is, my buddy Steve Asbell who was the guy who discovered me with my Ruins short is now running Fox. I knew everyone there, from the creative executives all the way up to the marketing and distribution department. That is where I was writing my first three movies. Many have left and that has kind of disbanded the Fox company, which is essentially what I consider my home. There have been a lot of shake ups, obviously, with a lot of people that I’m personally great friends with. For the last year or two, that’s been progressing forward. It’s a marriage, so that doesn’t happen overnight. These entities have to find a way to become one family. It’s like two gigantic organisms, 20th Century Fox and Disney, that have wildly different cultures. Unfortunately when the deal did go through, that’s when both companies were still trying to figure out a little bit about how they meshed and married together. So for us it was: head down, keep working forward and make something cool. The merger hadn’t gone through and there could be all this lawyer stuff basically. For that year and a half when we were developing Mouse Guard, we were aware of the merger but, legally and contractually, were not allowed to talk about it. We were already deep in Mouse Guard when that happened essentially. It was fun to even just imagine being a part of that kind of apparatus. Their ability to distribute movies and make money off them, with theme parks and such, and just their whole strategy is about great stories, well-told and done to the nines. Disney has an insane marketing department. What were your thoughts on that acquisition being one of the filmmakers at the forefront of this new merger? This is one of the first from the Disney acquisition of 20th Century Fox. So I actually think this moment is going to change our business pretty significantly in the future, once we get on the other side of it all.ĭefinitely. I’m totally fine to do it here in my pajamas with whoever. In a weird way, the Zoom calls and FaceTime chats have demonstrated that I actually don’t need to drive an hour across town to have these meetings. I have just had tons of inspiration lately on show ideas and the current stuff we’re working on. In early 2020, Wes Ball confirmed that his new Apes film will not be a reboot, but rather a sort-of continuation set within Reeves’ universe. The last two films in the series have grown in popularity, partly due to leadership from director Matt Reeves. Its most popular and revered iteration, however, is the reboot series from the 2010’s. This opening presented him a spot in leading a new Planet of the Apes sequel project under the rebranded 20th Century Studios.Ī beloved franchise by many film fans, The Planet of Apes has had a long history in cinema beginning in 1968. He later became involved with Fox’s adaptation of Mouse Guard, which lost traction during the Disney-Fox merger. The adaptation of the young adult novel of the same name soon sprouted a strong following, further cementing Ball’s status as a filmmaker. After drawing some attention in film school for his animated short Ruin, Ball came onto the major studio stage with The Maze Runner. Lifelong filmmaker and film lover, Wes Ball is no stranger to the industry.
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